Most philosophy makes little mention of the theater except to denounce it as a place of illusion and moral decay. The theater has tended to respond in kind by steering away from philosophy, driven by the notion that theater consists of actions, not ideas. The Drama of Ideas argues that despite this mutual evasion, the histories of philosophy and theater have in fact been crucia...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this mo...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this mo...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

史普罗 (R.C. Sproul, 1939-2017) 美国神学家,阿姆斯特丹自由大学博士，怀特菲尔德神学院博士，曾任教于美国改革宗神学院和诺克斯神学院，林格尼尔事工 (Ligonier Ministries) 创办人。

史普罗 (R.C. Sproul, 1939-2017) 美国神学家,阿姆斯特丹自由大学博士，怀特菲尔德神学院博士，曾任教于美国改革宗神学院和诺克斯神学院，林格尼尔事工 (Ligonier Ministries) 创办人。

Quentin Miller is Associate Professor of English at Suffolk University in Boston where he teaches composition, fiction writing, and literature. Professor Miller is the author of "John Updike and the Cold War," and the editor of "Re-Viewing James Baldwin: Things Not Seen." He is also the editor of the forthcoming "Prose and Cons: New Essays on Contemporary U.S. Prison Literature...(展开全部)