Most philosophy makes little mention of the theater except to denounce it as a place of illusion and moral decay. The theater has tended to respond in kind by steering away from philosophy, driven by the notion that theater consists of actions, not ideas. The Drama of Ideas argues that despite this mutual evasion, the histories of philosophy and theater have in fact been crucia...(展开全部)

史普罗 (R.C. Sproul, 1939-2017) 美国神学家,阿姆斯特丹自由大学博士，怀特菲尔德神学院博士，曾任教于美国改革宗神学院和诺克斯神学院，林格尼尔事工 (Ligonier Ministries) 创办人。

史普罗 (R.C. Sproul, 1939-2017) 美国神学家,阿姆斯特丹自由大学博士，怀特菲尔德神学院博士，曾任教于美国改革宗神学院和诺克斯神学院，林格尼尔事工 (Ligonier Ministries) 创办人。

史普罗 (R.C. Sproul, 1939-2017) 美国神学家,阿姆斯特丹自由大学博士，怀特菲尔德神学院博士，曾任教于美国改革宗神学院和诺克斯神学院，林格尼尔事工 (Ligonier Ministries) 创办人。

史普罗 (R.C. Sproul, 1939-2017) 美国神学家,阿姆斯特丹自由大学博士，怀特菲尔德神学院博士，曾任教于美国改革宗神学院和诺克斯神学院，林格尼尔事工 (Ligonier Ministries) 创办人。

Quentin Miller is Associate Professor of English at Suffolk University in Boston where he teaches composition, fiction writing, and literature. Professor Miller is the author of "John Updike and the Cold War," and the editor of "Re-Viewing James Baldwin: Things Not Seen." He is also the editor of the forthcoming "Prose and Cons: New Essays on Contemporary U.S. Prison Literature...(展开全部)

The essays collected in this new volume reveal Isaiah Berlin at his most lucid and accessible. He was constitutionally incapable of writing with the opacity of the specialist, but these shorter, more introductory pieces provide the perfect starting-point for the reader new to his work. Those who are already familiar with his writing will also be grateful for this further additi...(展开全部)

以赛亚·伯林爵士（Sir Isaiah Berlin，1909—1997） 英国哲学家、观念史学家、20世纪著名自由主义知识分子。生于俄国犹太家庭，童年目睹俄国革命，1921年随父母前往英国。1928年进入牛津大学攻读哲学，1939年借撰写《卡尔·马克思》的契机转向观念史研究。1957年就职牛津大学社会与政治理论教授，发表具有开创性的“两种自由概念”演说，同年获封爵士。参与创办牛津大学沃尔夫森学院并出任首任院长。作为杰出的观念史学家和学科主要奠基人，先后被授予耶路撒冷文学奖和伊拉斯谟奖。

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)